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GalleryID Desktop

SidelineID: Caption Sports Photos From the Sideline, Between Plays

SidelineID is the phone half of GalleryID Desktop, now on iPhone and Android. The camera sends each frame to your phone over its own hotspot, CaptionID names the athlete from the roster between plays, and the captioned file goes out by FTP or SFTP, or back to your laptop to review before it ships.

September 16, 20264 min read899 words
SidelineID on iPhone: a tagged volleyball frame with the athlete name and the caption written from the roster, beside the headline Camera to phone, captioned on the sideline

SidelineID: Caption Sports Photos From the Sideline, Between Plays

Real-time delivery means frames go out during the game, not after it. The usual route is a trek to the workroom, a laptop, and whatever minutes you can borrow around halftime.

SidelineID cuts out the trek. It’s the phone half of GalleryID Desktop, now approved on iPhone and Android, and it lets you caption sports photos from the sideline in the gaps the game gives you. The camera sends each frame to your phone as you take it. You name the athlete off the roster between plays. The file goes out named, either straight to the wire or back to your laptop for a look first.

Key Takeaways
  • SidelineID is a mode of GalleryID Desktop, not a separate product or a second subscription
  • The camera joins your phone’s hotspot and sends each JPEG as you take it
  • A single digit names a player, and swiping to the next frame keeps the keyboard up
  • Light, Color and Crop live on the phone, applied to the copy that goes out
  • Names write to the file before it leaves, and a frame that can’t be stamped isn’t sent

What it takes to caption sports photos from the sideline

Two things: your phone’s hotspot and one transfer target on the camera.

Turn the hotspot on first. On iPhone that’s Personal Hotspot with Maximize Compatibility switched off. On Android it’s the Wi-Fi hotspot, on 5 GHz if the phone offers it. Open the SidelineID tab, tap the camera dot, and the panel shows the address and port the camera should send to. Green means the receiver’s listening. Yellow means the hotspot isn’t up yet.

On the camera, add an FTP transfer target pointed at that address. Port 2121, not 21. Passive mode on, any login, plain FTP rather than FTPS. Set the transfer to send after capture, JPEG. On a Canon EOS R3 that’s under Wireless features, Network settings, Connect, Transfer images to FTP server.

Two limits worth knowing up front. It’s JPEG only, so the camera should send JPEGs rather than raw. And on iPhone the receiver stops when the app goes to the background, so keep it open and use Pocket mode, which dims the screen and keeps receiving. Android runs the receiver as a service, so that phone can sit locked in a pocket. Install and pairing are on the phone apps page.

The camera talks to your phone, not the internet. Nothing is uploaded and nothing reaches our servers.

Naming them between plays

The CaptionID bar sits above the keyboard. Type a name or a jersey number, and matches rise from the bar with number, team and position. Return takes the first one.

A single digit is enough for a number. Bind both rosters and the numbers stay apart, so 9 on the home roster and 9 on the visitors both come up and you pick. Accepting a name tags the person, and the template re-renders each mapped field from that tag: the long form into the caption, the name in the headline, the tag in Persons Shown. Swipe left or right for the next frame and the keyboard stays up. That’s the part that fits between plays.

For a burst of near-identical frames there’s Copy IPTC and Paste IPTC, so one tagged frame carries the rest.

Worth being plain about what this is. It’s CaptionID, not facial recognition. The name comes from a list you already have, which is why a helmet or a turned head doesn’t matter here. MatchID is still the accelerator, and it’s still waiting for you at the laptop.

A single digit names a player. Swipe to the next frame and the keyboard stays up.

Sending captioned sports photos from the sideline

Two routes out, and most people use both across a game.

FTP and SFTP destinations sync down from Desktop with their resize, sharpen, watermark and filename pattern already attached, so what leaves the phone matches what leaves the laptop. You can add a destination on the phone too. FTPS with AUTH TLS isn’t supported there, so use SFTP or plain FTP.

The other route is your own machine. Desktop drops captioned copies into its Field inbox and catalogs them, which is what you want when you head to the workroom at half and review a set properly before it goes.

Either way, you can put a quick editorial edit on a frame first. The sliders icon opens Light, Color and Crop. The edit is stored on the frame and applied to the copy that goes out at send, so the camera original on the phone is never touched.

The metadata is written before anything moves. A frame that can’t be stamped isn’t sent, so nothing leaves unnamed.

The Captions Happen In The Gaps

SidelineID ships inside GalleryID Desktop. Fourteen days to try it, card required, two computers included.

Work the gaps the game gives you

SidelineID is built for the places a laptop doesn’t go: the bench, the end line, a credential that doesn’t come with a workroom seat. Install the phone app from the apps page, pair it from Catalog, Pair Phone, in GalleryID Desktop, and your rosters, templates and destinations sync down. The next game, the captions happen in the gaps instead of after.

FAQ

Quick answers.

Do I need a laptop at the game to use SidelineID?

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No. Pair the phone to GalleryID Desktop once and your rosters, metadata templates and FTP destinations sync down. After that the phone works on its own at the venue, which is the point: it's built for the bench, the end line and anywhere a laptop can't go.

How does the camera get photos to the phone?

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Over your phone's own hotspot. The camera joins it and sends each JPEG as you take it, using a standard FTP transfer target: the address the app shows you, port 2121, passive mode, plain FTP, set to send after capture. Nothing goes over the internet and nothing reaches GalleryID's servers.

Can I caption fast enough to keep up between plays?

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That's what the CaptionID bar is built for. A single digit is enough for a jersey number, Return takes the first match, and swiping to the next frame keeps the keyboard up. For a run of near-identical frames, Copy IPTC and Paste IPTC carries one tagged frame's fields across the rest.

Can I edit on the phone before sending?

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Light, Color and Crop, yes. The edit is stored on the frame and applied to the copy that goes out at send, so the camera original on the phone is never altered. It's meant for a quick editorial pass, not a full session.

Do I have to send straight to the wire?

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No. You can send by FTP or SFTP to a client or wire destination, or drop captioned copies into GalleryID Desktop's Field inbox over your own network and review the set at half before anything ships. Either way the names are written to the file first, and a frame that can't be stamped isn't sent.

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